Resume


Dr. Anne Bissonnette
Museum Curator
Kent State University Museum

Last Revised:
July 23, 2008
   

 

ACADEMIC CREDENTIALS
   

Ph.D. ARTS AND SCIENCES: MUSEUM STUDIES AND HISTORY
  Union Institute & University,
Cincinnati, Ohio, 2001-2004.
        
M.A. MUSEUM STUDIES: COSTUMES AND TEXTILES
  State University of New York, Fashion Institute of Technology,
New York, New York, 1991-1993.
       
B.A. ART HISTORY
  Université de Montréal, Montreal, Quebec, 1988-1991.
       
D.E.C.* FASHION DESIGN
  Collège LaSalle, Montreal, Quebec, 1985-1988.
*Diplôme d'Études Collégiales
       
D.E.C. SCIENCES
 

Collège Bois-de-Boulogne, Montreal, Quebec, 1983-1985.

 

LANGUAGES

Fluent in French and English
Reading knowledge of Italian and Spanish

 

CURRENT POSITION

KENT STATE UNIVERSITY MUSEUM, KENT, OHIO
Curator
August 1995 to the present
In charge of the care and study of the Museum's collections of an estimated 30,000 costume, textile and decorative art pieces from the 17th to the 21rst centuries. Responsible for the creation, research, and design of exhibitions displayed in the museum's eight changing galleries covering over 10,000 square feet of exhibition space. Mounts costumes, photographs artifacts, uses graphic design skills for Web design and public relation mailings. In collaboration with other staff members, participates in collection management duties, loan coordination, public relations and marketing activities, long term planning and donor relations. Through exhibitions, tours, lectures, publications and Web sites, educates students and the general public locally and internationally. Supervises and provides functional guidance to support staff, student workers, interns and volunteers.

 

CURATOR OF THE EXHIBITIONS


OTHER EXHIBITION INVOLVEMENT:

  • Coordinator and editor of Dr. John Milton Lundquist, guest curator of the exhibition:
    Mandala and Temple: Sacred Architecture in Tibet
    KSUM, October 2001 to November 2002.
  • Co-curator with Jean L. Druesedow of the exhibition:
    Gone with the Wind: Woman, Race & Material Culture in the 20th Century
    KSUM, August 1997 to August 1998.
  • Curatorial liaison and courier of the exhibitions:
    -Dior: The King of Couture
    Indianapolis Museum of Art, Indianapolis, Indiana, opened June 6, 2007.
    -Halston Fits America: Fashion and Innovation from the Collection of Lipscomb University,
    Cheekwood Museum of Art, Nashville, Tennessee, opened May 14, 2005.
    -Chanel,
    Costume Institute, Metropolitan Museum of Art, New York, opened May 5, 2005
    (dressing for photography and exhibition).
    -Sculpture and Drapery: The Art of Fashion,
    The Historic Costume & Textiles Collection at The Ohio State University, opened January 2005.
    -Ptychoseis: Folds and Pleats: Drapery from Ancient Greek Dress to 21st Century Fashion,
    Benaki Museum, Athens, Greece, opened June 2004.
    -Picturing French Style: Three Hundred Years of Art and Fashion,
    Mobile Museum of Art, Mobile, Alabama, opened September 2002.
    -Dressed for Action: AFI Celebrates Screen Legends,
    Disney MGM Studios, Orlando, Florida, opened September 2002.
    -Elegance, Glamour and Style,
    Bruce Museum of Arts and Sciences, Greenwich, Connecticut, opened June 1998.
    -Dressed-up Photography
    Columbus Art Museum, Columbus, Ohio, opened November 1997.
    -Geoffrey Beene
    Toledo Museum of Art, Toledo, Ohio, opened September 1997.
    -La femme mise en scène
    Christian Dior Museum, Granville, France, opened June 1997.
    -I Want to Take You Higher: The Psychedelic Era 1965-69
    Rock & Roll Hall of Fame & Museum, Cleveland, Ohio, opened May 1997.
    -Forties Fashions and the New Look
    Imperial War Museum, London, England, opened February 1997.
    -Japanese Kimonos & Prints
    Massillon Museum, Massillon, Ohio, opened November 1996.
    -The Age of Optimism
    Riffe Gallery, Columbus, Ohio, opened August 1996.


PUBLISHED RESEARCH IN PRINT


Bissonnette, Anne. Chado Ralph Rucci. Kent, Ohio: Kent State University Museum, 2005.

Bissonnette, Anne. "Fashion on the Ohio Frontier: 1790-1840." Dress, 31 (2004): 57-71.

Steele, Valerie, ed. Encyclopedia of Clothing and Fashion. New York: Macmillan, 2005 ed. S.v.
"Tea Gowns," by Anne Bissonnette.

Bissonnette, Anne. Fashion on the Ohio Frontier: 1790-1840. Kent, Ohio: Kent State University
Museum, 2003.*

   * This exhibition catalogue was short-listed for the Costume Society of America's Millia Davenport
      Publication Award in 2005.

Bissonnette, Anne. "The 1870s Transformation of the Robe de Chambre." In A Separate Sphere:
Dressmakers in Cincinnati's Golden Age, 1877-1922
, ed. Cynthia Amnéus, 169-173.
Lubbock, Texas: Texas Tech University Press and the Cincinnati Art Museum, 2003.*
   * This book received the Ruth Emery Book Award from The Victorian Society of
     America in 2004.

Bissonnette, Anne, and Betty Kirke. "Fashion Design." In Computer Sciences, ed. Roger R. Flynn,
91-94. New York : Macmillan Reference USA ; Farmington Hills, MI : Thomson/Gale, 2002.

Bissonnette, Anne. "Charles Kleibacker: Brilliance on the Bias." Threads, March 2002: 66-69.

Bissonnette, Anne. "Introducing Isabel Toledo." Threads, October/November 2000: 38-43.

Bissonnette, Anne, and Alix Browne. Toledo Toledo. New York: Visionaire Publishing, 2000.

Bissonnette, Anne. "At Home at Tea Time: The Distinctive Tea Gown of the Victorian Era." Lady's
Gallery
, vol. IV, issue 5 (1998): 6-14, 58.


PUBLICATION IN PROGRESS


Tea Gowns, Kent State University Press. Manuscript completed. Funding found for full color printing. In the process of obtaining copyright permissions.


PUBLIC PRESENTATIONS

  • Speaker, "The Big Strip: Looking at Fashion, Underpinnings, Layers of Dirt and the Body, 1770-1799." Frick Art & Historical Center, Pittsburgh, PA, July 27, 2008.
  • Speaker, "Native Americans through the Prism of Culture: Edward S. Curtis & the Legacy of Collectors." Stan Hywet Hall & Gardens, Akron, Ohio, February 28, 2007.
  • Speaker, "Fashion in Transition, 1775-1817." Jane Austen Society of North America, KSUM, Kent, Ohio, August 19, 2006.
  • Speaker, "Hair, the Rise of Individuality 1790-1840." Decorative Arts Center of Ohio, Lancaster, Ohio, October 13, 2006. CSA National Symposium, Philadelphia, Pennsylvania, May 28, 2005.
  • Speaker, "The Significance of the Tea Gown in 19th-century and 20th-century Dress." Frick Art & Historical Center, Pittsburgh, Pennsylvania, February 25, 2006. Akron Woman's City Club, Akron, Ohio, November 19 and January 27, 2005. Frick Collection, New York, New York, June 7, 2003. Juried conference organized in conjunction with the exhibition "Whistler, Women, and Fashion." Cleveland Art Museum, Cleveland, Ohio, May 18, 2003. Lecture organized in conjunction with the exhibition "The Gilded Age: Treasures from the Smithsonian American Art Museum."
  • Speaker, "Fashion in the Jazz Age." Massillon Museum, Massillon, Ohio, February 23, 2006.
  • Speaker, "Hair 1770-1800: Split Between Nature and Culture." Gadsby Tavern Museum 2005 Costume Symposium, Alexandria, Virginia, October 1, 2005.
  • Speaker, "Fashion on the Ohio Frontier: 1790-1840." Ladies Club, Wadsworth, Ohio, September 16, 2005. East Cuyahoga Genealogical Society, Cleveland, Ohio, April 4, 2005. Annual conference on the Ohio Frontier, Fort Meigs State Memorial, Perrysburg, Ohio, October 16, 2004. Western Reserve Sewing Guild, Bath, Ohio, August 25, 2004. Clothing Conference on "Re-Creating Clothing for a Young Republic," Fort Meigs State Memorial, Perrysburg, Ohio, April 17, 2004. Dunham Tavern Museum, Cleveland, Ohio, March 21, 2004. Zanesville Public Library, Zanesville, Ohio, March 6, 2004, in collaboration with The Pioneer & Historical Society of Muskingum County. KSUM, Kent, Ohio, January 15, 2004. Conference on "Life on the Ohio Frontier: 1790-1840," organized by the History Department at Kent State University, KSUM, October 25, 2003.
  • Speaker, "Fortuny Tea Gowns: Synthesis & Significance." Upton House, Warren, Ohio, September 20, 2005. Juried international conference accompanying the exhibition Ptychoseis: Folds and Pleats: Drapery from Ancient Greek Dress to 21st Century Fashion, Athens, Greece, June 25, 2004.
  • Speaker, "2003 Stella Blum Research Grant Report: Fashion on the Ohio Frontier: 1790-1840." CSA National Symposium, Houston, Texas, May 28, 2004.
  • Speaker, "Stepping Out: Historic Style for Ladies & Gentlemen." Massillon Museum, Massillon, Ohio, February 24, 2004.
  • Panelist speaker, "Digitally Printed Textiles: Their Potential Use in Costume Collections and Living-History Museums." CSA National Symposium, Providence, Rhode Island, April 7, 2001, Textile Conservation Group, New York, New York, March 15, 2001.
  • Panelist speaker, "Collections Management Strategies." CSA National Symposium, Providence, Rhode Island, April 6, 2001.
  • Speaker, "Tea gowns: Born in Eclecticism, Forecasting Modernism." Juried presentation. CSA National Symposium, Providence, Rhode Island, April 5, 2001. Program on "Reforming Fashion," The Ohio State University, Columbus, Ohio, September 30, 2000.
  • Speaker, "The History of the Wedding Dress." KSUM, January 18, 2001. Massillon Museum, Massillon, Ohio, February 19 and April 25, 1998.
  • Panelist speaker, "Surviving the Exhibition." CSA National Symposium, Williamsburg, Virginia, June 1, 2000.
  • Speaker, "Locks & Frocks: Following the Fashions through the Ohio-Erie Canal." KSUM in conjunction with the National Parks Services, March 23, 2000.
  • Speaker, "Paisley Shawls." KSUM, October 11, 1997.
  • Speaker, "The Distinctive Tea Gown of the Victorian Era." Fashion Institute of Technology, Graduate Program in Museum Studies, New York, New York, April 24, 1997.

 

PROFESSIONAL ACTIVITIES

  • Participant in a Pre-Columbian Textile Conservation Workshop in Lima, Peru. Topics covered humidification, stabilization and mounting. January 12 to 23, 2007. Organized by Camille Myers Breeze, Director of Museum Textile Services in Andover, Massachusetts.
  • Grant recipient for the Summer Research Grant organized as a joint collaboration between the Musée de la mode de la ville de Paris, Musée Galliera, Paris, and the Paris American Academy. July-August 2006. Research topic: accessories from 1770 to 1820.
  • Reviewer of manuscripts for Dress, the journal of the CSA, 2005.
  • Grant recipient for the creation of a documentary film on fashion and its social history from the settlement of the Ohio territory through 1965: The Ohio State University's Ohio Bicentennial Legacy Awards 2004 ($7,500); SOG Grant, Ohio Arts Council ($1,000). Grants received in conjunction with Gayle Strege, Curator, The Ohio State University Historic Costume & Textiles Collection.
  • Member of the doctoral committee of Kristine Jamieson, student at the Union Institute & University, Cincinnati, Ohio (2003-present). Interdisciplinary Program with a Specialization in Sociology, dissertation topic: "Riding toward Freedom: Women, the Bicycle, and Empowerment in the late 19th Century."
  • In 2003, approached and sold the exhibition "Fashion on the Ohio Frontier: 1790-1840" to the Director of the Ohio Arts Council's Riffe Gallery. The 2006 second venue generated income and exposure for the Museum and University in the State's capital. Developed a series of three late eighteenth and early nineteenth-century exhibitions for 2006-2007 that linked the Riffe Gallery, the Decorative Arts Center of Ohio and the KSUM to reach a broader audience and maximize resources. This resulted in increased exposure to the KSUM's collection and expertise. The Columbus Dispatch selected the two exhibitions in its region as finalists in "Best Visual-arts Events of 2006." The series received the CSA's prestigious Richard Martin Award for Excellence in the Exhibition of Costume in 2008 in tandem with "Poiret: King of Fashion," Costume Institute, Metropolitan Museum of Arts, NY.
  • Organizer, "Architectural Tour of Northeast Ohio's Early Nineteenth-century Landmarks," October 11, 2003.
  • Stella Blum Research Grant award winner, CSA, 2002.
  • Masterminded "Fashion on the Ohio Frontier: 1790-1840," a project that received an Ohio Bicentennial Legacy Grant from the Ohio Bicentennial Commission, 2001-2003.
  • Creator and webmaster, "The Kent State University Museum Web Site" (www.kent.edu/museum). New site inaugurated April 2001.
  • Consultant for the exhibition "Hard Hat to High Heels." Western Pennsylvania Historical Society, Pittsburg, Pennsylvania, March 2000.
  • Coordinator, Toledo Children Workshop, KSUM, March 11, 2000.
  • Creator and webmaster, "Bissonnette on Costume: A Visual Dictionary of Fashion" (www.kent.edu/museum/costume). Site inaugurated August 1999.
  • Costume mounting specialist for the exhibition "The Best of the Peloponnesian Folklore Foundation." Peloponnesian Folklore Foundation, Napflion, Greece, June 21 to July 2, 1999.
  • Organizer, "The Staff & Faculty Cultural Fair." KSUM, August 1998.


WORK EXPERIENCE

SHANNON RODGERS AND JERRY SILVERMAN SCHOOL OF FASHION DESIGN AND MERCHANDISING, KENT STATE UNIVERSITY, KENT, OHIO
Adjunct Faculty
April 2001 to the present
Serves students and faculty through presentation of the KSUM collection, participation in critiques and workshops and as guest lecturer. Collaborates with faculty on selected research projects such as "Digitally Printed Textiles: Their Potential Use in Costume Collections and Living-History Museums" undertaken with Associate Professor Melanie Carrico from the Shannon Rodgers and Jerry Silverman School of Fashion Design and Merchandising at Kent State University.

 

THE METROPOLITAN MUSEUM OF ART, COSTUME INSTITUTE, NEW YORK, NEW YORK
Costume Mounting Specialist
August 1996
Hired on a contractual base to mount the garments for the exhibition Two by Two. Garments mounted included both men and women's clothes dating from the 18th century to 1996.

Intern
October 1992 to December 1993
Involved in the preparation and dressing of the costumes for the exhibitions:
Diana Vreeland: Immoderate Style, November-December 1993,
Infra-Apparel, March 1993,
Fashion and History: A Dialogue, October-December 1992.

 

STEPHENS COLLEGE, COLUMBIA, MISSOURI
Instructor, Fashion Program
August 1994 to May 1995
Taught classes in costume history, fashion illustration and design, pattern making, draping, and a topic class in costume curatorship. This last class resulted in the re-arrangement of storage facilities and in the mounting of two exhibitions:
I dream of Jackie, February-April 1995,
Treasured Past, Heavenly Future: Selected Garments from the Stephens College Historical Costume Collection, April-June 1995.

Selected by students and included in Who's Who in American Teachers of 1996.

 

LASALLE COLLEGE INTERNATIONAL, ISTANBUL, TURKEY
Fashion Program Coordinator
January to July 1994
Coordinator of the fashion design and fashion marketing programs. In charge of interviewing and supervising teachers, creating pedagogical material and schedules. Organized a guest lecturer program and cultural visits. Supported the creation of network links with the Turkish garment industry. Acted as academic counselor to students. Instructor of costume history, fashion illustration, fashion design, and pattern-making classes.

 

LASALLE COLLEGE INTERNATIONAL, CASABLANCA, MOROCCO
Fashion Coordination Instructor
Summer semesters of 1989 and 1990
Instructor of the fashion coordination class, which organized the graduates' fashion show.

 

UNIVERSITÉ DU QUÉBEC À MONTRÉAL, MONTREAL, CANADA
Pedagogical Advisor
December 1993
Preparation of course outlines in costume history for the new bachelor's degree in fashion design scheduled to open in 1995 as a cooperative effort between the Collège LaSalle and the Université du Québec à Montréal.

 

THE MUSEUM AT THE FASHION INSTITUTE OF TECHNOLOGY, NEW YORK, NEW YORK
Assistant Conservator
October-November 1993
In charge of the preparation and mounting of the period costumes (1700 to 1913) for the exhibition entitled Linen.

Intern
September 1992-April 1993
Helped in the preparation of costumes, modification and construction of custom-made mannequins and dressing for the exhibitions:
The Genius of Charles James, February-April 1993,
Tribute to the Black Fashion Museum, March-April 1992,
Halston: Absolute Modernism, October 1992.

 

PERSONAL ACCOMPLISHMENTS

Photographer

  • Seven photographs included in the exhibition catalogue Skin and Bones: Parallel Practices in Fashion and Architecture by Brooke Hodge and Lisa Mark (Thames & Hudson, 2006), The
    Museum of Contemporary Art, Los Angeles. The photographs present garments by Ralph
    Rucci and were taken for the KSUM exhibition on Ralph Rucci. This catalogue was also published in Japanese as the exhibition traveled to The National Art Center in Tokyo in the summer of 2007.
  • Two photographs included in the exhibition "Uncommon Clothes: Photographic Inspiration," Columbus Art Museum, Columbus, OH. One photograph features a Gilbert Adrian gown from the KSUM collection while the other features a garment by Ralph Rucci that was part of a KSUM exhibition.
  • Photograph included in the exhibition catalogue Artwear: Fashion And Anti-fashion by Melissa Leventon (Thames & Hudson, 2005), in conjunction with the exhibition held at the de Young Museum, Fine Arts Museum of San Francisco. The photograph portrays a garment by Horst and was made for the KSUM exhibition on Thomas Horst.
  • The photograph Indian Woman and Girls Climbing the Steps to the Amber Fort Palace, Jaipur, India, March 17, 1999 was selected and displayed in the "India through Your Lens" portion of the exhibition "India through the Lens: Photography 1840-1911," December 3, 2000 - March 25, 2001, The Arthur M. Sackler Gallery and Freer Gallery of Art, Smithsonian Institution, The National Museum of Asian Art for the United States, Washington, D.C.

* * *

 
 
 

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