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According
to Reiko Mochina Brandon in her book Country Textiles of
Japan: The Art of Tsutsugaki, the term tsutsugaki
is reserved for utilitarian cotton and hemp fabrics used by
commoners and decorated with a paste-resist process. Although
there is usually no distinction of terms between textiles found
in the country and those found in the city, different types
of fabrics were needed and produced in both places.(1)
What is
common to tsutsugaki is the way they are produced. The
word can be translated to "tube drawing."(2)
In these tubes of Japanese paper with bamboo or brass tips,
a thick rice paste is squeezed to draw motifs on the surface
of the cloth. Tips vary in size so as to make fine or large
lines. From this point on, the process is similar to other resist-dye
techniques as the paste applied to the cloth stops the absorption
of dye where it is applied.
Paste as
a resist agent first originated in China and was made of soybean
flour, which cannot be dissolved in water.(3) Soluble
rice-paste was developed in Japan and had two advantages: it
could create a crisp line and was easily washed away once the
dying process ended. This technique may have been produced as
early as the Kamakura period (1192-1333) in an environment of
self-sufficiency.(4) In addition to growing hemp and cotton,
which became available to commoners in the seventeenth century,
indigo plants also were cultivated in villages and became a
favorite color in rural Japan.(5) In addition to their
availability and the dye's colorfastness, shades from light
to dark could also be obtained by repeat dipping in indigo's
colorless water-soluble coloring matter which turns blue when
exposed to air.(6)
Anne Bissonnette, PhD
Curator
Kent State University Museum
_____________
(1)
Reiko Mochinaga Brandon, Country Textiles of Japan: The Art
of Tsutsugaki (New York, Tokyo: Weatherhill, 1986).
(2) Ibid., 3.
(3) Ibid., 30.
(4) Ibid., 6,
31.
(5) Ibid., 43.
(6) Ibid.
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